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Rob Marshall, a prominent Hollywood director who was born in Madison, Wisconsin on October 17, 1960, is no stranger to the world of musical theatre. Rob Marshall’s first feature picture, “Madison, Wisconsin,” was released in 1980. In addition to directing, he has experience working in the field of choreography. Marshall’s parents are Robert D. Marshall and Anne Marshall. Marshall is their son. Rob’s father worked as an educator at the university level. Rob was born in Madison, Wisconsin, although he spent most of his life in Pittsburgh. Rob’s parents moved the family there when he was a baby.
Kathleen Marshall and Maura Marshall are his sisters and brother, respectively. In her own right, Rob’s younger sister Kathleen is a well-known director, choreographer, and screenplay consultant. She is also Rob’s sister. He received his high school diploma from Taylor Allderdice, located in Pittsburgh, in the year 1978. Rob graduated from Carnegie Mellon University in Pittsburgh after studying there for a total of four years. He showed a liking for musicals at an early period in his life.
Rob worked in a theatre in Pittsburgh when he was attending the university there, and he was also active in thespian activities with well-known theatrical companies like the Pittsburgh Civic Light Opera. After that, Rob came to the conclusion that he wanted to pursue a career in dance, and he started making appearances in plays on Broadway. In a later performance of “Cats,” he ended up hurting his back and had to miss some time. After he reached a certain level of proficiency, he gave from dancing altogether and went on to seek a profession first as a choreographer and then, finally, as a director.
Rob made his debut in the film industry in 1999 with the television adaptation of the musical “Annie,” which was based on the successful musical of the same name. This television movie not only took home an Emmy but also received overwhelmingly enthusiastic comments from viewers all across the world. Following that, he served as a director of the film Chicago (2002). The musical Chicago, which was written by Kander and Ebb, was an influence on this movie as well. Because of Rob’s efforts in this movie, he was considered for an Academy Award nomination in the category of Best Director.
The movie “Memoirs of a Geisha” was finally directed by Rob, who took over the director’s chair (2005). This movie was adapted from Arthur Golden’s book of the same name, which served as the film’s premise. The movie took in a total of 162 million, 242 and 962 dollars at the box office and took home three awards. In 2009, he debuted the film adaptation of the musical with the same name, which was titled Nine. This movie was nonetheless nominated for a number of Academy Awards despite the fact that moviegoers mostly disregarded it. Rob was the director of “On Stranger Tides,” the fourth installment in the Pirates of the Caribbean film series, which was released in 2011.
Following that, he went on to direct “Into the Woods,” a musical that was released in 2014 and was based on a Disney movie. Rob has contributed to the creation of the choreography for a number of musicals throughout the course of his career, including “Kiss of the Spider Woman” (1993), “She Loves Me” (1994), and “Damn Yankees” (1994). Rob and his partner, the well-known producer “John DeLuca,” both make their home in New York City.
Rob is a native of Teesside, which is located in the North East of England. This region was at the epicenter of the industrial revolution and is famous for its blast furnaces, petrochemical estuaries, and flaming skies. He spent his childhood in a plain terraced home, where there was a record player in every room and six framed pictures of Elvis hanging on the wall. Rob was just eleven years old when he was first exposed to Jimi Hendrix on television. This experience had a great impact on Rob.
For the following five months, he walked to school instead of using the bus and skipped lunch rather than spending the money he would have spent on food in order to preserve his £1.50 bus ticket and lunch money. Because of this, he was able to buy the affordable guitar and amplifier combo that he had been considering getting. After that, he proceeded to educate himself on the guitar by playing along with recordings by artists like as Hendrix, T-Rex, the Rolling Stones, and the Beach Boys.
Rob’s first real band, Lyca Sleep, played laid-back, psychedelic music and did extensive touring in the year 2000 with South, The Warlocks, and Engineers. Lyca Sleep’s sound was languid and dreamy. Exit Calm, a later iteration of Lyca Sleep, was lauded by Mojo for “reclaiming the guitar band as something to have confidence in again. They had performances at festivals such as Glastonbury, V, and Leeds/Reading, and the critical reception to both of their albums has been overwhelmingly positive. Following that, they embarked on a big tour, during which they were supported by bands such as Doves and The Music. After the band split up in 2015, after extensive tours of Europe and Japan, Rob went his own way in the rowdy and bohemian town of Hastings, which is located on the southern coast of England.
The documentary “The Living Room,” which was about the singer Gavin Clarke, whose manager Rob used to be, was the source of creativity for the band Humanist. Rob was so shaken up when he found out that Gavin had committed suicide the next day that he sat down to write after learning the news. He quickly developed a piece that would later become the germ of an idea for a lofty, ambitious project that dealt with the most profound themes of life, including death, meaning, and the freedom of the spirit. Rob’s project tackled the most profound themes of life, including death, meaning, and the freedom of the spirit.
A whirling Niagara of fuzzed-out guitars, pounding drums, and soaring vocals from artists like Dave Gahan (Depeche Mode), Mark Lanegan (Queens of the Stone Age), and Mark Gardner resulted from all of the music that was written, played, and produced on Humanist by Rob Marshall (guitarist of Exit Calm and co-writer of Mark Lanegan’s celebrated “Gargoyle” album). Rob Marshall is a member of (Ride).
Rob’s first solo project and the first piece of music he had ever fully produced, Humanist is also a magnum opus musically, a fully realized and rounded work. He taught himself production while making the record, just as he had done with his signature guitar sound, forging its rich, brooding sound world on instinct. Humanism is also a magnum opus musically, a fully realized and rounded work. His art has the same qualities of being raw, impassioned, and authentic. Rob also played and recorded virtually all of the instruments, but he had a vision of the album stretching much beyond a one-man operation. He wanted to broaden the album’s palette and breadth by incorporating many of the vocalists whose work he had long loved.
Growing up in bands could have had some influence on my appreciation for the collaborative creative form; it’s something I’ve always been drawn to. I have limited singing ability, and although I do sing on some of the songs, I have also contributed to the composition of some of the vocal parts. So, I sent my manager my early demo tapes as well as this ridiculous “wish list” of singers who I’d always looked up to. He was absolutely ready for a negative reaction at any moment. To my utter surprise, an overwhelming majority of them gave a good response. It was so unbelievable to me. To perform on the same stage as such great artists were then and continue to be an incredible pleasure for me. The first person to respond was Queens of the Stone Age’s Mark Lanegan, which marked the beginning of a productive and successful musical collaboration. Mark was completely unfamiliar with Rob before listening to his music, but he felt an instant connection to it and made the decision to contribute to more than one song.
After some time, he questioned Rob about the possibility of utilizing Humanist outtakes for his own record. Rob didn’t, but in a weeklong burst of creativity, he composed and produced six songs for Mark that ended up on their debut album together, “Gargoyle” (2017) on Heavenly Records. The album was hailed by Mojo as “A triumph” and by The Guardian as “A bravura statement,” and it became Mark’s most successful album since 2004’s Bubblegum. Rob didn’t. The songs that led to Mark and Rob becoming friends may now be found on Humanist, but their more recent musical endeavors together will be included on Mark’s forthcoming album “Somebody’s Knocking” (Heavenly Records, October 2019).
The album features the vocal contributions of a number of well-known musicians, including Mark Lanegan, Mark Gardener (Ride), Dave Gahan (Depeche Mode), Joel Cadbury (UNKLE), Jim Jones (Thee Hypnotics), Carl Hancock Rux (David Holmes, Portishead), and John Robb (The Membranes). Each individual track on the Humanist debut has its own distinctive elements within a unified whole, united by an overarching exploration of the concept of humanism, or, to use Rob’s words, a study of. Rob supplied the completed music and song titles, which suggested the subject matter. The vocalists responded to these themes with their own lyrics, which gave the work unusual richness and scope.
The subjects of life, death, religion, and what it means to be mortal should all be brought up for discussion. When seen from a philosophical vantage point, questions about the value of human connections and the significance of life itself… It focuses on how individuals react to concepts such as creationism and evolution, heaven and hell, death, and the hereafter. This album explores the significance of maintaining a positive outlook on life. As a direct consequence of this, we are optimistic about the bright future of music. From the rumbling gothic opener “Kingdom” to the cataclysmic finality of “Gospelclosingnotes; “from the kraut rock number “English Ghosts” to the out and out rock / post-punk inspired “Skull”; these are songs with gnarled roots, where demonic and angelic impulses collide. Humanist is a cacophony of songs that is visceral, cinematic, tripped-out rock anthems, and poignant songs with a loud and forceful sound that is evocative of bands such as Doves, Killing Joke, and UNKLE, as well as record companies such as Factory Records.
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Rob Marshall Addresses:
House Address:
Rob Marshall, Madison, Wisconsin, United States
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Rob Marshall
42 West
600 3rd Avenue
23rd Floor
New York, NY 10016
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Facts
| Rob Marshall Contact Address, Phone Number, Email ID, Website | |
|---|---|
| Phone Number | NA |
| House address (residence address) | Madison, Wisconsin, United States |
| Official Website | N/A |
| Snapchat Id | N/A |
| Whatsapp No. | NA |
| Personal No. | N/A |
| Instagram Id | https://www.instagram.com/robmtn |
| Facebook Id | NA |
| Tinder Id | N/A |
| Twitter Id | https://twitter.com/robmarshalluk |
| Youtube Channel | NA |
| Email Address | NA |
| Office Number | N/A |
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