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Nina Hartley, who is now 56 years old, has been working in the porn industry since the early 1980s. Her website tagline: “Experience DOES count.” In 1982, I moved to San Francisco and began working as a house dancer at both the Sutter Cinema, which is no longer in operation, and the Mitchell Brothers O’Farrell Theatre. Later on, I moved on to other venues. I was taking classes at the nursing school five days a week and went dancing once a week. The conclusion of a long and illustrious history of public exhibitionism was the art form of dancing. As a feminist of the 1970s, I was raised to believe that women should have the freedom to make their own decisions about their sexuality while still being held accountable for their own safety. This was the case for me when I did stripping.
That was the location where ladies could go to be seen nude without fear of reprisal yet still feeling comfortable. I grappled with the question, “Could I be a feminist and yet want to strip off my clothes?” over a period of two years. I eventually arrived to the conclusion that yes, I could in fact be a feminist while also stripping naked since doing so was my own personal decision. This was not something that was forced or pressured out of me; rather, it was something that I identified with as part of my sexual identity as an exhibitionist. When I was 12, I first got interested in the concept of sexuality. When I was growing up, I was exposed to terminology like “exhibitionist,” “voyeur,” “bisexual,” and “swinger,” but I was not familiar with the terms “polyamorous,” “non-monogamous,” or “queer.” I’ve had two relationships that lasted for a considerable amount of time.
My first marriage was a triad marriage, which means that there was a guy and a woman in it as well. Between the years 1981 and 2000, I was in a relationship that included three people. They have not parted ways yet. In 1986, we went through the formal process of being married, and the divorce was completed in 2003. When we first met, she was with him, and she is still with him now. They never got married to each other. Let’s just say it turned out to be a bad choice for a first marriage. If I did not have the opportunity to be Nina Hartley as an outlet, we would have split up a lot earlier; nevertheless, I am quite adept at compartmentalizing my life. They didn’t disturb me when I was acting as Nina or while I was performing on set or stage. My private life was fraught with a lot of difficulty. It took a very long time for me to understand that it was my job to take care of my own life.
I advise women who are currently in their 20s, “If you’re miserable, go. You are free to go now.” They have a lot of my backing from me. The issues I have in my life right now — and this is what I tell young people — are the result of a few poor decisions I made in my 20s, and they will continue to plague me well into my 50s. I make it a point to guide younger ladies as much as I can, even though I am well aware that they will inevitably make their own errors and that there is nothing anybody can do to prevent it from happening. I finished nursing school in 1985 with highest honours and distinction, and I was successful on the very first attempt at the licence exam. I read Spiritual Midwifery around the year 1972, which is a famous book on home birth, and it had a significant impact on my feminism. As a result, I decided to go to nursing school in order to become a nurse midwife.
My interest in feminism began with a desire to assist women in reclaiming the experience on giving birth as a constructive and empowered decision for themselves. If the sexual aspect of my life hadn’t been ramped up to such a high level, I probably would have had a very busy social life and worked as a nurse midwife instead. However, I never did work in the medical field. If I was having a horrible day, I wasn’t prepared for someone else to lose their life. I don’t have any kids of my own. My current running joke is that when they made me in the factory, they failed to wound my biological clock. I am a loving aunt and great-aunt to my nieces and nephews. I am the only childless lady I know who loves children but has chosen not to have any of her own. It makes me quite pleased that I do not have children of my own.
To go back to the question of why I do what I do, I do it for my own amusement, but I also do it because, according to our society, sexuality is a disease, and ill people need the care of a nurse. People are suffering from issues related to their sexuality, and they are also suffering from an inability to feel at home in their bodies and in their own flesh. They are hurting because they are unable to form human relationships with other people on a level that is both safe and healthy in addition to being joyful. Dancing at a club that permitted full nudity, full penetration, and full girl-on-girl sex was an amazing experience for me. Similarly, girl-on-girl sex was also permitted without restrictions. It opened my eyes to the extent of the suffering that men are in, as well as their insatiable need for knowledge.
They longed for a lady to demonstrate her vulva to them and instruct them, “Try this with your girlfriend’s vulva!” They would sit there in rapt attention with their elbows on their knees, soaking in every piece of knowledge and understanding that they are meant to know all there is to know about satisfying their spouse but that they know nothing since no one has ever taught them anything about it. It is quite upsetting. My first husband thought it was attractive and amusing that I wanted to be a dancer, so he supported me in pursuing that goal and helped me along the way. Filmmaking has always been a lifelong dream of mine. He happened to be at Berkeley on the day that Juliet Anderson was there.
Before the term “MILF” was ever coined, she was the definition of the role. She was a mature lady who did not begin her career in the film industry until she was well into her 30s. Therefore, he was able to get her card, and we wrote her a message and sent her several Polaroid photographs. Within a week, we received a response from her. Educating Nina was her first film as a filmmaker, and she cast me in it. It was my first movie role. It was released in 1984, and unfortunately, due to the dearth of female directors at the time, the distribution business made the decision to pull out, causing her to lose all of the money she had invested in the film. She never appeared in another film afterwards. Women have access to a playing field that is marginally more favourable now than they had in 1984, when there were no women working either behind or in front of the camera. Women were absolutely to be observed, but they were not to be transacted with in any way.
Although there have always been older ladies in porn, “mature women” as a genre has never existed. Fans may now watch a two-hour clip of only one thing, regardless of what that item may be, rather of having to watch three, four, or five movies just to see one scene of his thing. This is one benefit that was created for fans as a result of the digital revolution. We may give credit for the creation of the phrase MILF to American Pie. Porn did an excellent job of capitalizing on the idea and coming up with a category for it. It’s been going on for somewhere about ten years with cougars and MILFs. When good, middle-aged, middle-class men who are married and have children watch television, it scares them out to see ladies who are about the same age as their daughters.
In addition, spouses have a lot of sway over the kinds of adult books and movies that are allowed in their households. She is not going to let her husband watch shows about people in their twenties, but she is going to be OK with him viewing shows about people in their thirties, forties, or fifties. The baby boomer generation is becoming older, and many baby boomers would want to gaze at someone who has a similar appearance to themselves. I have not experienced ageism in the workplace, but I have grown older while working in this industry. Many of my admirers have been following me since I was 25 years old, and while they like Nina Hartley, they don’t like me as much as they like Nina Hartley since I’m older. They can’t get enough of me. There are certain individuals who have a fetish for older people, and until a woman reaches the age of 40, these people have no interest in her. As a result, I did get some followers when I was 40.
Because my legs are not as smooth and sleek as they once were, I have to be extremely cautious about what I wear on them. In order to conceal what I feel to be my physical imperfections, I never appear on camera without either wearing lingerie, a garter belt and stockings, or a bodysuit. I no longer perform scenes in which I am completely naked. There are a lot of mature ladies who don’t show any signs of ageing and who don’t have cellulite because their genes just don’t allow it. Lingerie is the only option for me since I have cellulite, and because it’s not going away and I’m not going to obsess about it, I simply have to accept it. I also don’t perform anal in front of the camera anymore since I’ve already done it and there’s no way I’m going to become any better at it. There will come a day when my vulva is no longer needed on camera, but I will always be interested in having sex with other people while being filmed.
Teaching, writing, coaching, and speaking are all areas in which I will continue to be involved. I like to think of myself as a hybrid of Dr. Ruth and Betty Dodson, who is a sexual educator. I think it’s wonderful to facilitate other people’s sexual experiences. This is a weekly series called “Sex Work,” and it features women who have employment in sex-related businesses, ranging from porn stars to sex researchers and everyone in between. Visit this page again on Tuesdays to read the most recent interview. When she was in her second year of nursing school, she began working as a stripper at the Mitchell Brothers O’Farrell Theater in San Francisco. This was the beginning of her career in the adult entertainment business. During this time, she was also attending nursing school. Her first role in an adult film was in the 1984 film Educating Nina, which was produced and directed by experienced porn actress Juliet Anderson, best known by her stage as “Aunt Peg.” Nina starred in the film Boogie Nights (1997) in the role of William H. Macy’s cheating wife. The film was released in 1997.
Nina Hartley Phone Number, Email Address, Contact No Information and More Details
Nina Hartley Addresses:
Nina Hartley, Berkeley, California, United States
Fanmail Address / Autograph Request Address:
Berkeley, California, United States
Nina Hartley Contact Phone Number and Contact Details info
- Nina Hartley Phone Number: Private
- Nina Hartley Mobile Contact Number: NA
- WhatsApp Number of Nina Hartley: NA
- Personal Phone Number: Same as Above
- Nina Hartley Email ID: NA
Social Media Accounts of Content Creator ‘Nina Hartley ’
- TikTok Account: NA
- Facebook Account (Facebook Profile): https://www.facebook.com/groups/963634620349605/
- Twitter Account: https://twitter.com/ninaland
- Instagram Account: https://www.instagram.com/miss_nina_hartley/
- YouTube Channel: https://www.youtube.com/channel/UCtwasAaEP1qKT8HsGXU8gzg
- Tumblr Details: NA
- Official Website: NA
- Snapchat Profile: NA
Personal Facts and Figures
- Birthday/Birth Date: 11 March 1959
- Place of Birth: Berkeley, California, United States
- Wife/GirlFriend: Ernest Greene (m. 2003), David Arthur Carr (m. 1986–2003)
- Children: NA
- Age: 63 Years old
- Official TikTok: NA
- Occupation: American pornographic film actress
- Height: 1.64 m
- Salary of Nina Hartley: NA
- Net worth: $6 million dollars
- Education: Yes
- Total TikTok Fans/Followers: Not Known
- Facebook Fans: 6.9k
- Twitter Followers: Not Known
- Total Instagram Followers: 249k
- Total YouTube Followers: Not Known
|Nina Hartley Address, Phone Number, Email ID, Website|
|House address (residence address)||Berkeley, California, United States|
Some Important Facts About Nina Hartley:-
- Nina Hartley was born on 11 March 1959.
- Her Age is 63 years old.
- Her birth sign is Pisces.