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Ken Burns, who was born in 1953, examined many facets of American history, ranging from the monumental to the minute. His work is known all over the world. The Civil War (1990) and Baseball (1994) are two instances of his work in which he does not attempt to propose a solution to a specific historical issue; rather, he investigates the periods through the prism of human storytelling. Both of these works were written by Ken Burns.
An article titled “Ken Burns Is the Person Who Has Done More Than Anyone Else Before Him to Make the Historical Documentary a Popular and Captivating Form for Large Portions of the Viewing Public in the United States,” was written by Gary Edgerton and published in the Journal of Popular Film and Television, Edgerton claims that Burns is the individual who has done more than anyone else before him to make the historical documentary a popular and captivating form.
He has been able to effectively attract the interest of the general public thanks to the subjects that he chooses to write about in his articles. In addition to this, he has established a method of style that is ideally suited to both the subjects that he writes about and the ideological position that he adopts in his writing. On July 29, 1953, in Brooklyn, New York, Robert Kyle Burns, and Lyla Smith (née Tupper) Burns welcomed the birth of their first of two sons, Burns, the older of the two boys.
He was the only kid of the couple who had ever been born. When Robert Burns became a parent for the first time, he was a graduate student at Columbia University studying cultural anthropology. At the same time, Robert Burns also became a father. During this time, the birth of his son took place. When Burns was a kid, his family moved about quite a bit, so he got to experience a lot of different places.
When he was a small boy, he spent time in both the city of St. Veran, which is located in France and Baltimore, which is located in the state of Maryland. When Burns’s father was given a position as a professor at the University of Delaware, the family uprooted and moved to Newark, Delaware. He continued to reside there for a considerable amount of time. Because his father had been offered a post as a professor at the University of Michigan, his family moved to Ann Arbor, Michigan, when he was ten years old.
This move was precipitated by the fact that his father accepted the position. Burns’s mother passed away from cancer when he and his family were still living in Michigan, which was a harrowing event that made him more sensitive to the feelings of others. One of Burns’s many passions was photography, which he got from his father. He also liked playing baseball and attending to the movies, especially films directed by John Ford. Burns’s father was a photographer, and Burns inherited that enthusiasm from him.
Burns used a camera that belonged to him and was a gift from his father in order to produce a documentary film as his capstone project for his senior year of high school. After receiving his high school diploma in 1971, Burns wasted no time in getting himself registered at Hampshire College in Amherst, which is located in the state of Massachusetts. He had no doubt in his mind that he would one day follow in John Ford’s footsteps and pursue a career in the film business.
In addition to his education in film at Hampshire, Burns also received instruction in still photography from Jerome Liebling and Elaine Mayes during his time there. He did not participate in any other historical education opportunities. The last project that Burns had to complete for his directing class was a documentary that he directed, and the subject of the film was a historical event that took place in Sturbridge Village, Massachusetts.
The year 1975 was the year when he graduated from Hampshire College with a Bachelor of Arts degree in film studies and design. Florentine Films was the name of the production company that Burns and two of his classmates chose to give it when they started it in New York City shortly after Burns’ graduation. He supplemented his income by working as a freelancer and creating short documentaries during the period when he was considering developing his own movie.
Burns often worked together with his younger brother Ric and Amy Stechler, the woman who would later become his wife. In 1978, he moved the main office of his firm from New York City to New Hampshire, where it is still based today. Burns and Stechler hitched the wedding on July 10, 1982, and went on to have two children together after their marriage: Sarah and Lily Burns Stechler. Burns’s first album with Florentine was ultimately released in 1981 after he had spent a combined total of four years working on the project. The film, which was a documentary and was called Brooklyn Bridge, was all about the very first steel-wire vehicular suspension bridge that was ever built anywhere around the globe.
During the course of the sixty-minute episode, both the bridge and its construction between the years 1869 and 1883 were discussed. The movie Brooklyn Bridge first appeared on the Public Broadcasting System in 1982, sometime after it had been shown by audiences at a number of different film festivals (PBS). Throughout the years, this particular public television station aired a number of documentaries that were directed by Burns. After that, Burns made an effort to simultaneously make a number of documentaries that were significantly different from one another. The first record that was ever made accessible to the general public was The Shakers’ Hands to Work, Hearts to God collection (1984).
This documentary focuses its attention on an unusual religious society that existed in the nineteenth century and is more known now for the remarkable furnishings it used in its buildings than for the message it preached. In addition, Burns was the director of a documentary that ran for a total of four hours and was centered on the American symbol of independence known as the Statute of Liberty (1985). The film did not limit itself to the history of the monument or its recent restoration; rather, it made use of the symbol as a springboard to explore the notion of liberty in the United States of America.
The video was not limited to discussing the history of the monument or its recent repair. PBS aired a program that year entitled “The Statue of Liberty,” which was produced in 1985. The autocratic governor of Louisiana from 1928 to 1935 was the subject of the documentary film Huey Long (1985), which was directed by Burns and lasted for a total of 90 minutes. A teacher at Louisiana State University is the one who came up with the concept for the movie. Not only did Burns produce the film, but he also directed it and served as the movie’s primary cinematographer.
The historian Geoffrey C. Ward is the author of Huey Long, and the editor of the book was Geoffrey C. Ward’s wife. In the years to come, Ward would make significant contributions to a number of Burns’ projects. After making a guest appearance on PBS in 1986, Huey Long went on to win a number of awards in the following years. It is a great combination of oral history and video history, containing still photographs from Huey Long’s early years, newsreel and private film, and mini-commentaries from critics and lovers of Huey Long, according to Ken Bode of the New Republic, who wrote about it. In Louisiana politics, Huey Long was a prominent figure.
This in no way resembles a documentary drama in any way, shape, or form. Huey Long gives a performance in which he portrays himself, but the rest of the film is based on actual historical events. Despite this, the movie is so well put together that as the inevitable murder creeps near, a sense of dread starts to permeate the audience. ” Burns completed Thomas Hart Benton (1988) and The Congress (1990) while simultaneously working on his most ambitious project, The Civil War (1990), which was also published in 1990. (1988). Nonetheless, the American Civil War was the event that propelled him into the public spotlight on a scale that was national in scope. Burns had begun working on the project all the way back in 1985 when it was initially conceived.
He had every intention of looking into the matter from every conceivable perspective. Burns said in an interview with People Weekly’s Marjorie Rosen that he “had not before realized the effect that the Civil War still had on our country.” If we think about the history of a country in the same way that we would think about the history of an individual, then the Civil War is the most traumatic event that took place during our formative years. I couldn’t shake the feeling that I needed to learn more about what was going on, so I started looking into it. Burns invested five and a half years of his life into achieving his goal, despite the fact that numerous filmmakers and historians cautioned him against doing such a large project.
Subsidies from the National Endowment for the Arts and the General Motors Corporation allowed the 11-hour documentary to be produced in the end at a total cost of $3.5 million. In the year 1990, which was 125 years after the conclusion of the Civil War, PBS aired a series titled “The Civil War” for a total of five consecutive nights. It was the PBS show that gained the biggest ratings in the history of the network, with an average of 14 million viewers for each episode. It’s estimated that around 39 million people have viewed at least one episode of the show. Burns have the talent of making people from such a remote past appear understandable to audiences who were living in the current day and age.
In order to demonstrate his arguments, he illustrated them using historical writings, images, and extracts from authentic journals. A considerable amount of really famous actors and actresses tried out for roles. Burns amassed 16,000 old photographs from a total of 160 archives; however, he only used 3,000 of these photographs in the final version of the film that he made. In addition to that, he was responsible for the editing of a combined total of 500 hours of sound and 150 hours of film. As described by Gary Edgerton in the Journal of Popular Film and Television, the effect of this collage of tactics is to create the idea that the audience is being transported back in time, physically discovering an emotional connection with the people and events of America’s past. The impact of this collage is to create the idea that the audience is being transported back in time.
A great number of individuals voiced their respect for what Burns had accomplished with The Civil War. According to a statement made by historian Shelby Foote, which was cited by Richard Stoglin of Time, “People who saw the series will have a considerably clearer comprehension of what made this country what it is.” General Motors has promised to provide a large number of funds toward Burns’ initiatives until the year 2000. His personal life suffered as a result of the work, despite the fact that he was successful in his professional endeavors. When asked by Rosen of People Weekly about her comments, Amy Burns revealed them by stating,
“During the course of the conflict, there were many occasions in which he grew so fatigued that I was unable to comprehend how he could have kept fighting. If he hadn’t been so adamant about the problem, things would have gone a lot more smoothly. After the conclusion of the Civil War, Burns and his wife went their own ways, and not long after that, Burns’ brother did the same thing in order to pursue his own path in life.
Ken Burns Phone Number, Email Address, Contact No Information, and More Details
Ken Burns Addresses:
House Address:
Ken Burns, Brooklyn, New York, United States
Fanmail Address / Autograph Request Address:
Ken Burns,
Brooklyn,
New York,
United States
Ken Burns Contact Phone Number and Contact Details info
- Ken Burns Phone Number: Private
- Ken Burns Mobile Contact Number: NA
- WhatsApp Number of Ken Burns: NA
- Personal Phone Number: Same as Above
- Ken Burns Email ID: NA
Social Media Accounts of Content Creator Ken Burns ’
- TikTok Account: NA
- Facebook Account (Facebook Profile): https://www.facebook.com/kenburnspbs
- Twitter Account: https://twitter.com/KenBurns
- Instagram Account: https://www.instagram.com/kenburnspbs
- YouTube Channel: NA
- Tumblr Details: NA
- Official Website: NA
- Snapchat Profile: NA
Personal Facts and Figures
- Birthday/Birth Date: 29 July 1953
- Place of Birth: Brooklyn, New York, United States
- Wife/GirlFriend: NA
- Children: NA
- Age: 69 Years old
- Official TikTok: NA
- Occupation: Filmmaker
- Height: NA
Facts
- Salary of Ken Burns: $3.5 Million
- Net worth: $3.5 Million
- Education: Yes
- Total TikTok Fans/Followers: Not Known
- Facebook Fans: 380K followers
- Twitter Followers: 201.5K Followers
- Total Instagram Followers: 22.6K followers
- Total YouTube Followers: Not Known
| Ken Burns Contact Address, Phone Number, Email ID, Website | |
|---|---|
| Phone Number | NA |
| House address (residence address) | Brooklyn, New York, United States |
| Official Website | NA |
| Snapchat Id | NA |
| Whatsapp No. | Not Available |
| Personal No. | N/A |
| Instagram Id | https://www.instagram.com/kenburnspbs |
| Facebook Id | https://www.facebook.com/kenburnspbs |
| Tinder Id | N/A |
| Twitter Id | https://twitter.com/KenBurns |
| TicTok | NA |
| Email Address | NA |
| Office Number | NA |
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Some Important Facts About Ken Burns:-
- Ken Burns was born on 29 July 1953.
- His Age is 69 years old.
- His birth sign is Leo.