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Françoise Hardy Wiki/Bio
Hardy was born in Paris in 1944 and grew up there. Her mother, a single mother who made a poor wage as an accountant’s assistant, reared her and her sister. Money was in low supply at all times. After graduating from high school, she was presented with a guitar by her absent father, who had to be persuaded to buy it by her mother before she could play it.
In her adolescent years, she was profoundly affected by French chanson, particularly the songs of Charles Trenet and Cora Vaucaire. She also found inspiration in the music of English-speaking performers such as Paul Anka, the Everly Brothers, Elvis Presley, Cliff Richard, and Connie Francis, thanks to the widespread reach of Radio Luxembourg. In her first year at the Sorbonne, where she was studying political science and Germanic languages, she responded to a newspaper advertisement seeking young vocalists.
She did not get the job after her initial audition, but she was encouraged to try again. She auditioned for the French Vogue label a few months later and signed her first recording contract with the label at the end of 1961. She was 17 at the time. In April of the following year, she graduated from university and published her debut album, “Oh Oh Chéri,” which was written by the creative team of Johnny Hallyday.
“Tous les Garçons et les Filles,” a composition by her, was featured on the flipside. The song was a hit in France, riding the wave of yé-yé that had recently been introduced to the country by musician Serge Gainsbourg. More than two million copies of the single were sold. In 1963, she won the Grand Prix du Disque for her performance of “L’amour s’en Va,” which placed her fifth overall in the Eurovision Song Contest (for Monaco).
Soon after, she was featured on the covers of practically every major music publication. The photographer Jean-Marie Perier, who turned Hardy’s image from that of a shy teenager into that of a cultural trendsetter, first met her while working on a magazine picture shoot in which she was participating. Not only did he become her lover, but he also became the most significant influence on her early professional life.
Hardy agreed to model after Perier convinced her to do so. Their shot established her as a fashion icon as well as a pop star. As a result of her prominence in pop music, he was able to convince famous designers such as Paco Rabanne, Chanel, and Yves Saint-Laurent to use her as a model. The French filmmaker Roger Vadim offered her a leading role in the film Château en Suède; the experience only heightened her national recognition, but her true passion lay in music rather than movies.
In 1963, she performed for the first time at the L’Olympia Theatre in Paris, as an opening act for yé-yé singer Richard Anthony, who was performing at the time. She was the star of the show. Essentially a compilation of her songs, her debut album was a commercial success, earning her the Prix de l’Académie Charles-Cros and the Trophée de la Télévision Française honors for best recording.
A year later, she tried her hand at film once more, this time in Jean-Daniel Pollet’s Une Balle Au Cur. Her performance in the film, which was released in February 1966, received acclaim from both reviewers and spectators. After her fame, as a vocalist spread around Europe, Hardy found herself spending time with artists ranging from the Beatles and Mick Jagger to Bob Dylan (the latter of whom once refused to perform his second performance at L’Olympia until Hardy arrived). She swiftly rose to the top of the pop star rankings in her home nation, recording eleven studio albums between 1962 and 1968.
Perier and Hardy called it quits in 1967, as the stress and strain of living the jet-set lifestyle was beginning to take its toll on their relationship. Having said that, she met lyricist and pop sensation Jacques Dutronc the same year and fell in love with him; they were married the following year in 1981.
After a series of frenetic European tours, she recorded her sophomore album, Ma Jeunesse Fout L’Camp, which was released in 1968, just as the yé-yé craze was coming to an end in her native France. In the same year, she delivered a farewell performance at London’s legendary Savoy Theatre, signaling her apparent retirement from the stage in order to concentrate on her recording career instead.
Consequently, she had disagreements with her label, which led to a legal struggle from which she emerged victorious but leery of any future business relationships. Hardy sat down and thought about what she should do next. To pay homage to her followers in Switzerland and Germany, she released the German-language film Träume in 1970 for United Artists, which was a critical and commercial success.
However, it was only a temporary solution. Her self-titled album for Sonopress in 1971, composed in conjunction with female Brazilian guitarist Tuca, was her first mature release and featured the hits “Chanson d’O” and “La Question.”
It was also her first mature release. However, despite the fact that it did not perform well commercially, it remains the singer’s favorite recording and the one that established her as a major impact on subsequent generations of musicians.
She didn’t give a damn about the lackluster sales because she saw it as an artistic success, and history has proven her to be true. Hardy’s career as a budding professional astrologer gained momentum in the new decade as well. She and Dutronc had a boy in the summer of 1973, which was their first child together. Incredibly, the pair, who were not yet married, did not live together until a long time after the birth of their child.
Hardy met Gabriel Yared, a long-time admirer of her music, through a mutual friend. He offered to produce and arrange a new album for her, which she graciously accepted. With the working title Star, the collection included superb stuff by herself, Michel Jonasz, Gainsbourg, William Sheller, Janis Ian, and Lara; it was a commercial and critical success.
Star, which was released by Pathé-Marconi, presented a different side of the singer, establishing her as a favorite among a new generation of young fans. Hardy’s return to the forefront of French popular music was aided by the success of the album, which sold extraordinarily well. To sum it up, the vocalist and the producer/arranger collaborated on four critically acclaimed albums, including J’Ecoute de la Musique Saoule (1978), Gin Tonic (1980), and A Suivre (1983).
“Tamale” and “Villégiature” were two of the album’s chart-topping singles from the previous year. Despite the fact that fans have contended for decades that Hardy’s record might have been much more popular had she continued touring, Hardy was far more preoccupied with astrology and pregnancy at the time of its release. During the next two years, she only released two new songs, while her label concentrated on releasing compilation albums instead.
Décalage was her first album, released in 1988. Her lines were set to music by well-known composers, including William Sheller, Etienne Daho, and her husband Dutronc, for what was announced as her final recording. Contrary to popular belief, while it has since earned a reputation as one of her finest albums, it was met with relatively mediocre critical reception when it was released. Fans, it appears, had high expectations for the grand finale.
Her retirement turned out to be short-lived. In 1992, she collaborated with songwriter Alain Lubrano, a young singer/songwriter from the south of France, on the duet “Si Ca Fait Mal.” The song, which was about love, sex, and AIDS, was omitted from the AIDS fund-raising compilation CD Urgence because it was too controversial. The song was eventually redone as one of her own songs, this time with Lubrano on vocals.
Hardy signed a recording contract with Virgin Records in 1995. Le Danger, her first single for the label, was released in 1996 and cemented her status as a pop star in the United Kingdom, despite her age of 52. Hardy co-wrote all 13 tracks with Lubrano and Rodolphe Burger, with whom he collaborated on one song (Kat Onoma).
Hardy’s sound has been heavily influenced by the alternative music movement, particularly the music of Portishead, and she has remade it as a fully modern form of indie-pop. The album was a commercial and critical success beyond her expectations; she performed on BBC radio and television, as well as on John Peel’s program, and went on to appear on recordings by Malcolm McLaren and Blur.
In addition, she recorded with her husband and kid at the same time, which was a first for her. The first hit single from the album was a cover of Julio Iglesias’ “Partir Quand Même,” which appeared on the album. The fact that Hardy was not touring gave him plenty of time to pursue interests other than music and astrology, such as writing.
It was released in 2008 by the publisher Editions Robert Laffont under the title Le Désespoir des Singes et Autres Bagatelles (The Monkey’s Despair and Other Miscellaneous Things). The book immediately became a best-seller in its first week of release.
Hardy, on the other hand, didn’t take a break and released the album La Pluie sans Parapluie in 2010. She wrote all of the lyrics herself, and she worked on the music with Lubrano, Ben Christophers, Pascale Daniel, Stremler, and other artists, among them. Rather than the cold, dry wit and melancholy that had become her trademark, this set presented a more sensitive and intimate portrayal of the singer, one that was more private and personal.
Hardy marked her 50th anniversary in music with a novel (her first) and an album, both of which were titled L’Amour Fou, which was released the next year. She was also suffering from lymphatic system cancer at the time, and she declared it to be her final album. She once again authored all of the lyrics, with assistance from Stremler, Calogero, Benoît Carré (Lilicub), and Julien Doré on the musical side of things.
Dominique Blanc-Francard and Bénédicte Schmitt worked together on the recording’s production. While Hardy hasn’t broken any sales records with her post-millennial output, practically all of her recordings performed well enough to ensure that they remained commercially viable and contributed to the growth of her reputation.
Following the publication and distribution of L’Amour Fou, the singer went on a nearly five-year hiatus from the music industry. Soon after the film’s premiere, she grew unwell while having chemotherapy, and she finally fell into an eight-day coma.
Her enthusiasm in the recording had waned during her recovery and subsequent therapy — that is until she heard the song “Sleep” by the Finnish band Poets of the Fall, which piqued her interest. She performed for producer and songwriter Erick Benzi (Celine Dion), who was enthralled by her performance. As a reaction, he gave Hardy many of his own compositions, which inspired her to write words to accompany them.
After learning that La Grande Sophie (Sophie Huriaux) had restarted her writing, she sent Hardy the song “Le Large,” which she had written in the past. Pascale Daniel and Yael Naim, who composed “You’re My Home,” were among the other composers who contributed to her work.
When Hardy began working with Benzi on the album Personne D Autre, the sessions went unusually smoothly, resulting in the release of the album Personne D Autre. It was preceded by the single “Le Large,” which was also released as a video directed by François Ozon, and the full-length album was released in Europe and the United States in April of this year.
Facts About Françoise Hardy:
Birthday/Birth Date: 17 January 1944
Birth Place: Paris, France
Children: Thomas Dutronc
Age: 77 Years old
Official TikTok: NA
Popular Friends: NA
Salary of Françoise Hardy: NA
Net worth: $25 Million
Total TikTok Fans/Followers: NA
Facebook Fans: 210k
Twitter Followers: 682
Total Instagram Followers: NA
Total YouTube Followers: NA
Some Important Facts About Françoise Hardy:
1. In France, she is recognized as a fashion icon.
2. With songs like “Tous Les Garçons Et Les Filles” and “Dans Le Monde Entier,” as well as the Grand Prix, she was a great hit in the 1960s as part of the ye-ye movement.
3. She married Jacques Dutronc, a French singer, in 1981.
4. Francoise’s son is a Guitarist.
5. Disques Vogue signed her to her first record deal.
Françoise Hardy Fan Mail address:
Voyez Mon Agent
20, Avenue Rapp
Françoise Hardy Phone Number, Email Address, Contact Info, Texting Number, Fanmail and More Details
Françoise Hardy Phone Number, Email ID, Address, Fanmail, Tiktok and More
|House address (residence address)||Voyez Mon Agent|
20, Avenue Rapp
|Phone Number||+33 (0)1-43-17-37-00|
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Françoise Hardy Address: Paris, France
Françoise Hardy Phone Number: +33 (0)1-43-17-37-00
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Françoise Hardy Facebook Fan Page:https://www.facebook.com/francoisehardyofficiel
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