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She has authored 16 books, 10 of which are novels, including the best-selling The Bastard of Istanbul, The Forty Rules of Love, and her most recent work, Three Daughters of Eve. She writes in both Turkish and English. Her works have been translated and published in fifty different languages. She is published by Penguin in the United Kingdom, and Curtis Brown acts as her worldwide literary agent. Shafak is a founder member of the ECFR, in addition to being a member of the We Forum Global Agenda Council on Creative Economy and a speaker at TED Global (European Council on Foreign Relations).
In 2010, the French government honored her with the title of Chevalier des Arts et des Lettres. This honor was bestowed upon her by the French government. She has been profiled in several prominent newspapers and magazines throughout the globe, such as the Financial Times, the Guardian, the New York Times, the Wall Street Journal, Der Spiegel, and La Repubblica, and she also contributes to some of these publications. Shafak has a Bachelor of International Relations degree, a Master of Gender and Women’s Studies degree, and a Doctor of Philosophy degree in Political Science and Political Philosophy.
She has previously held teaching positions at a number of educational institutions in Turkey, the United Kingdom, and the United States, including the University of Michigan and the University of Arizona. At St. Anne’s College, Oxford University, she is now serving as the 2018 Weidenfeld Visiting Professor in Comparative European Literature in addition to her role as an Honorary Fellow. In addition to her efforts to promote literacy and freedom of expression, Shafak is well-known for her advocacy work in the areas of women’s rights, minority rights, and LGBT rights.
The Orange Prize, the MAN Asian Prize, the Baileys Prize, and the IMPAC Dublin Award have all placed Shafak on their longlists. In addition, the Independent Foreign Fiction Prize and the RSL Ondaatje Prize have all placed Shafak on their shortlists. She was a member of the judging panels for the following awards: the Independent Foreign Fiction Prize (2013), the Sunday Times Short Story Award (2014, 2015), the 10th Women of The Future Awards (2015), the FT/Oppenheimer Funds Emerging Voices Awards (2015, 2016), the Baileys Women’s Prize for Fiction (2016), the Man Booker International Prize (2017), and The Goldsmiths Prize (2017). (2018). The 2019 Wellcome Book Prize judging panel is being presided over by Shafak.
If trees could communicate with us, what advice would they give us? “Well,” the Turkish-British author Elif Shafak says to me as she grins at me over a cup of mint tea, her long hair a touch moist from the rain. “I have to say,” she continues. They have a far longer lifespan than we do. Therefore, they have a far broader perspective than we have. Perhaps they can provide us with a more levelheaded and seasoned perspective on the situation. We move in unison to tilt our chins upward and look out the window. We are both feeling a little on edge, I believe; Shafak since she was a little bit late for our meeting, and me because this café in Holland Park is so loud and packed (we can’t sit outdoors because of yet another severe summer squall has just blown in).
It’s possible that a fresh viewpoint brought on by horse chestnut or sycamore may be just what the two of us want. It is said that Shafak, who is often referred to as the most renowned female writer in Turkey, is known for her outspokenness. Her beliefs have led her to confront with the administration of Recep Tayyip Erdoan, which is becoming more authoritarian all the time. She is a fervent fighter for equality and freedom of expression. However, you do not receive any instant sensation of this while you are present. Her tone is always soft and kind, and she never raises her pitch or volume; in addition to smiling with her lips, she also grins with her green eyes. And while her new novel, The Island of Missing Trees her first since the Booker-shortlisted 10 Minutes 38 Seconds in This Strange Worlds certainly political, with its themes having to do with violence and loss, it is also a passionate love story, one of whose most important characters just so happens to be – yes, a kind and wise tree.
This is her first novel since the Booker-shortlisted 10 Minutes 38 Seconds in This Strange World. This tiny fig has been through it all since it was grown from a cutting that was smuggled from Cyprus to London by its owner, Kostas, when he and his forbidden love, Defne, departed the island in quest of a fresh beginning. Because it originated in the tavern where Kostas, a Greek Cypriot, and Defne, a Turkish Cypriot, used to meet when they were teenagers a restaurant that was reduced to rubble when it was bombed in 1974 it is aware of everything that the two of them have been through, including the anguish of being parted from one another and the melancholy of living in exile. However, it also serves as a tangible connection between the past and the present for the couple’s adolescent daughter, Ada. Ada was born in London, and at the beginning of the novel, she has no idea about the secrets her parents keep or the pain they experienced together.
She had been considering writing about Cyprus and the problems there for a very long time. “In Europe, we still have a divided capital [Nicosia, where a militarised border has split the Republic of Cyprus from Northern Cyprus since 1974; Northern Cyprus is the only part of the island that is recognized as an independent nation by Turkey]. It is so close physically, and it is also a part of the history of our nation [the United Kingdom ruled Cyprus as a colonial power]. Despite the fact that many people visit there, we have a limited understanding of the region. The issue that needed to be answered was how to tackle such controversial ground. “I simply didn’t dare. It’s a sore that hasn’t quite healed yet… that is, up to the point when I discovered the tree.
Only after that was I able to experience an adequate level of comfort. My tree has a lot of feminine characteristics, and she provided me with the opportunity to see beyond competing tribalisms, nationalisms, and other certainties. She also presented me with the opportunity to reflect on my origins, both in the metaphorical and the actual sense of the word. Her reading of botany was rather comprehensive, as seen by the length of her bibliography (which includes works by Richard Mabey, Merlin Sheldrake, and an academic study on the concept of “optimism” and “pessimism” in plants). At one point in the story, Kostas decides to bury his fig so that he may better preserve it from the harsh winter weather in Britain. Shafak remarks, “I’d heard that they may be buried,” which is an interesting statement.
When I lived in Ann Arbor, Michigan, which is located in the state of Michigan, where it can get fairly chilly, I heard about families from Italy and Portugal doing this. I was able to verify that it is effective. You bury it carefully in the soil for a period of two months, then, when spring arrives, you unearth it, and it’s a type of miracle because it’s still alive.” The Committee on Missing Persons in Cyprus is a bi-communal organization that is still trying to find and identify the bodies of the people who disappeared during the civil war in Cyprus. Subsequently, this unburying is mirrored by other, grimmer exhumations. These exhumations are carried out by the Committee on Missing Persons in Cyprus.
Is she optimistic about the state of Cyprus’s economy? In spite of all the suffering she describes in her book, it seems that she is resilient, much like Kostas’s fig tree. She says it in a hushed tone, “I want to feel positive.” The Committee on Missing Persons is a very helpful organization. It’s mostly women who are active, and the fact that there are so many young people volunteering their time gives me optimism. Politicians, on the other hand, are a whole other kettle of fish. That’s a more difficult situation.” At just the right moment, the two little children seated at the table next to us started wailing like banshees.
Shafak was in London for the whole of the lockdown. Would it have been beneficial for her to visit Cyprus in her mind? She gives a little head shake. “At the beginning of the epidemic, I noticed several tweets in which publishers said: this [isolation] isn’t so different for writers; they already work from home, and they’re lonely anyhow.”That in no way reflects my own experience. A writer is not insulated from the events that are taking on in the world. There is a death toll. Even if you sit down at your desk, you start doubting yourself. Is it truly the case that I ought to be doing this? Does it really make a difference whether the simile is perfect? It is existential in nature. I was having a lot of trouble dealing with fear and uncertainty, and I want to acknowledge and respect those unfavorable feelings. It’s uncomfortable for me to act as if I don’t have them.
The novelist Elif Shafak has expressed her belief that “there’s a scream building up” inside many young people as a result of their perception that their future “is being defined by older generations.”The Turkish-British author spoke at the Hay festival and warned the audience that being young is challenging, particularly in this era. She cited Brexit and the climate disaster as examples when she made her statement. “It’s their future that’s been wrecked by earlier generations,” she remarked. Shafak examines the concept that today’s youth “want to shout at us” in her most recent book, The Island of Missing Trees, which was a finalist for the Women’s Prize for Fiction. In the novel, Ada, who is 16 years old and lives in London with a father who seldom discusses the wartime experiences he had growing up in Cyprus, starts to scream in the midst of a history class. Her father rarely discusses his wartime experiences.
Shafak, who is now 50 years old, has said that the concept that someone who grew up “in a home of silences” may be harboring pent-up resentment that has to be spoken intrigued her. She remarked that it was ironic since the advent of social media had promised that everyone would have an equal voice. “What really transpired was that in the middle of all these voices, we were rendered speechless. You yell louder and louder, but you still aren’t heard,” which is “very tiring.” There is no longer any way to conceal the truth, and a denial is no longer an option. The rate at which severe weather is becoming more intense is being accelerated by global warming.
Recent research by the Guardian showed how the climate breakdown caused by humans is hastening the death toll from severe weather around the world. The climate crisis is causing an increase in the frequency and severity of natural disasters such as heatwaves, floods, wildfires, and droughts, which is costing people their lives and their ability to provide for themselves. This problem, which has the potential to drastically impact people’s lives, will continue to get the utmost importance and focus from the Guardian. We have a large worldwide staff of climate journalists located all over the globe, and we have just hired a reporter who specializes in severe weather.
Elif Shafak Phone Number, Email Address, Contact No Information and More Details
Elif Shafak Addresses:
Elif Shafak, Strasbourg, France
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Elif Shafak Contact Phone Number and Contact Details info
- Elif Shafak Phone Number: Private
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- Personal Phone Number: Same as Above
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Social Media Accounts of Content Creator Elif Shafak ’
- TikTok Account: NA
- Facebook Account (Facebook Profile): https://www.facebook.com/Elif.Shafak
- Twitter Account: https://twitter.com/Elif_Safak
- Instagram Account: https://www.instagram.com/shafakelif
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Personal Facts and Figures
- Birthday/Birth Date: 25 October 1971
- Place of Birth: Strasbourg, France
- Husband/Boyfriend: Eyüp Can
- Children: NA
- Age: 51 Years old
- Official TikTok: NA
- Occupation: Novelist
- Height: 1.73 m
- Salary of Elif Shafak: $1.5 Million
- Net worth: $1.5 Million
- Education: Yes
- Total TikTok Fans/Followers: Not Known
- Facebook Fans: 1.5M followers
- Twitter Followers: 1.6M Followers
- Total Instagram Followers: 244K followers
- Total YouTube Followers: Not Known
|Elif Shafak Contact Address, Phone Number, Email ID, Website|
|House address (residence address)||Strasbourg, France|
|Whatsapp No.||Not Available|
Some Important Facts About Elif Shafak:-
- Elif Shafak was born on 25 October 1971.
- Her Age is 51 years old.
- Her birth sign is Scorpio.