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Dion Beebe A.C.S. A.S.C. is a cinematographer born on May 18, 1968, and hails from Australia and South Africa. His family traveled from Brisbane, in Queensland, Australia, to Cape Town, in South Africa, in 1972. Between 1987 and 1989, Dion attended the Australian Film Television and Radio School to study cinematography. Beebe’s work on Rob Marshall’s Chicago earned him nominations for both the Academy Award and the British Academy Film Award; nevertheless, he took home the Oscar for his contributions to the director’s following film, Memoirs of a Geisha, in 2006.
His work on Michael Mann’s Collateral (for which he won a BAFTA for Best Cinematography) and Miami Vice is notable for the practical use of high-speed digital footage and the usage of styled color palettes with very high saturation levels. He is noted for this work. In addition to that, he is an associate member of the American Society of Cinematographers (ASC) and the Australian Cinematographers Society (ACS). At the National Awards ceremony on May 16, 2020, Dion was honored with entry into the Hall of Fame of the Australian Cinematography Society. On Disney’s version of the musical Into the Woods, director of photography Dion Beebe (pictured), who previously worked with director Rob Marshall, has rejoined the creative team.
Previous projects that the two have worked on together include Memoirs of a Geisha, for which Beebe was awarded an Academy Award; Chicago, for which he was nominated for a second time for cinematography; and Nine. Paradigm released the following information on clients: Chris Cornwell is working for Screen Gems as the production designer for the film Best Man Inc.Raul Davalos will serve as the show’s editor for the CW’s Reign. Patti Lee has been hired as the director of photography for the NBC show Sean Saves the World.
Framestore, a visual effects company headquartered in London and known for its work on films such as “Gravity” and “47 Ronin,” has launched a new permanent office in Culver City. The operation in Los Angeles, formerly run out of temporary facilities in Santa Monica, is primarily dedicated to commercial work but will also act as a foundation for the feature film business. The company’s facilities in London, New York, and Montreal are where it handles the work for its feature films.
The New York Digital Arts location recently announced that it is equipped to do postproduction in 4K. The facility has a 27-seat DI theater with a Christie 4220 4K digital projector and DaVinci Resolve and Assimilate Scratch color grading tools. In addition to that, it offers procedures for digital dailies grading and editing, as well as DCP mastering and LTO-6 archiving. The audio may be mixed in 7.1 surround, 5.1 surround, or stereo on a re-recording dub stage.
Colorist Milan Boncich (Beginners), editor and director David Jakubovic (The Forest Is Red), and sound designer and re-recording mixer Chris Foster (30 Rock) are all members of the crew. Into the Woods is the third musical that Oscar-winning director of photography Dion Beebe has lensed for director Rob Marshall. Compared to Chicago and Nine, Into the Woods is the most challenging music yet to be adapted for the big screen. The film is a faithful adaptation of one of the most imaginative and beautifully intertwined plays that composer and lyricist Stephen Sondheim has ever created.
It takes 17 primary performers to sing the 25 songs, and there are 25 songs total in the show. Meryl Streep, Chris Pine, Anna Kendrick, Johnny Depp, and Tracey Ullman are cast members with starring roles. Traditional fairy tale characters such as Little Red Riding Hood, Jack and the Beanstalk, Cinderella, and Rapunzel go on a trip into a deep, dark forest as part of the storyline of the play Into the Woods. Once there, happy endings are thrown into disarray, and otherwise, straightforward tales become emotionally confusing and psychologically complicated.
Beebe and Marshall’s first two musical collaborations, both of which were based on Broadway productions, had songs and dances that were treated as independent numbers. In contrast, the dialogue was treated as something else entirely. A significant portion of the conversation in Into the Woods comprises song lyrics. Beebe said that capturing the objectives of the songs was not only highly crucial but also pretty challenging.
From the very beginning, the aim was to create a universe that could include all of the aspects of fantasy and fairy tales while at the same time being sufficiently realistic to enable these emotional excursions. The production took place in England over fifty days, beginning on-site in severalize woodlands before transferring to Shepperton Studios close to London, where sets were constructed on one of the enormous soundstages worldwide.
Lighting was a challenging work because of the necessity to mix lighting on the set — including effects used in the theater and cinematic approaches — with the natural light on site, which Beebe also enhanced. This was a challenge because it was necessary to integrate illumination on the set with the natural light on location. The director of photography (DP) said that “there wasn’t a scene in the movie that I didn’t have to light and control,” and he was right. “It was important to avoid discontinuities so that the audience would believe that what they were seeing was one world and wouldn’t get the impression that we were jumping around.”
The movie only made little use of computer-generated imagery (CGI). “It was there to enhance a bit what we were doing, including some set extensions,” the director of photography (DP) said. “However, Rob is not a fan of using greenscreen since he believes it detracts from the ambiance on the set and is also afraid that it alters the mood there. He yearns to be entirely enveloped by the world that is being filmed. Without computer-generated imagery (CGI), one lovely location shot begins in the forest and then moves above the trees to reveal a vista from above.
To accomplish this, the camera was first mounted on a crane to be lifted into the tree canopy. Following this, cameras mounted on drones were utilized to continue the movement above the treetops. Beebe observed that they attempted to include simple things in the camera to the greatest extent possible. The choice was to employ a painted background instead of going the computer-generated imagery (CGI) route for a portion of the woodland. “Someone who has been doing this kind of thing for years traversed a half mile of scenic forest that was 30 feet high.”
Another film directed by Marshall, Memoirs of a Geisha, earned Beebe the Academy Award for outstanding cinematography in 2005. Beebe received the award for his work on the film. As a result of his efforts in the movie, he was honored with an award from the British Academy of Film and Television Arts and one from the American Society of Cinematographers. In 2004, he was nominated for an Academy Award in the cinematography category for the film Chicago. Collateral, including Paul Cameron as his co-cinematographer, and Miami Vice are two of the movie on which the filmmaker Michael Mann has had the director of photography work.
Beebe is presently getting ready to film Spectre, which will be the next James Bond movie and will be directed by Sam Mendes. The film is expected to be released in 2015 at the earliest. Before the voting takes place from June 6-10, the nominations list that will be considered by the Board of Governors of the Academy of Motion Picture Arts and Sciences has been made public. The candidates’ primary objective is to win one of the three available positions on the board of 54 members. There may be as many as four people running for each open seat at each branch, which has three governors whose tenures are staggered and has a maximum of four candidates.
After being installed, the slate will need to pass several necessary tests, such as choosing a new Academy president and new CEO to succeed Dawn Hudson, who will be stepping down. The Academy also has to overcome the misconceptions established due to a rough year, which included the slapping incident involving Will Smith at the Oscars and the outcry about which categories would be included in the Oscars broadcast. On Wednesday, the group responsible for putting on the Oscars announced that they are among the 12 Hollywood professionals who have been voted to serve on the board for the first time.
A cameraman named Dion Beebe, a casting director named Richard Hicks, and a marketing and public relations expert named Megan Colligan are among the recruits. Each of the Academy’s 17 branches is represented by three governors, who are responsible for managing the institution’s finances and contributing to the formulation of the overall plan for the school. Whoopi Goldberg, Ava DuVernay, and Rita Wilson are among the other governors presently serving their terms.
This election has resulted in most board members being female, while 28% belong to a racially or ethnically underrepresented group. After Will Smith smacked Chris Rock backstage at the Oscars earlier this year, the Academy of Motion Picture Arts and Sciences and its board of governors have been subjected to higher scrutiny than usual. A few days later, the board announced that Smith would be barred from attending the Oscars and any other event hosted by the Academy for the next decade.
Dion Beebe Phone Number, Email Address, Contact No Information and More Details
Dion Beebe Addresses:
House Address:
Dion Beebe, Brisbane, Australia
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Dion Beebe,
Brisbane,
Australia
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Personal Facts and Figures
Facts
| Dion Beebe Contact Address, Phone Number, Email ID, Website | |
|---|---|
| Phone Number | (305) 695-0466 |
| House address (residence address) | Brisbane, Australia |
| Official Website | NA |
| Snapchat Id | NA |
| Whatsapp No. | NA |
| Personal No. | NA |
| Instagram Id | https://www.instagram.com/ddbeebe |
| Facebook Id | NA |
| Tinder Id | NA |
| Twitter Id | NA |
| TikTok | NA |
| Email Address | NA |
| Office Number | NA |
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